Overview participating exhibitions
Awarded Commitment
2012
Awarded Commitment
Lizzie Sadin
JUVENILES BEHIND BARS 1999-2007. Lebedeva Remand Center, Juvenile Block, Saint Petersburg, Russia.
Dimitri, 13, is bullied by the adults with him in the notorious cell number 90. Cited by Amnesty International and International Prison Observatory (OIP), the prison has a grim reputation for the treatment which tough prisoners inflict on juveniles: torture, rape, humiliation, and tattooing of anyone considered as inferior. There are six beds for the 24 inmates who take turns sleeping.
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JUVENILES BEHIND BARS 1999-2007. Lebedeva Remand Center, Juvenile Block, Saint Petersburg, Russia.
Dimitri, 13, is bullied by the adults with him in the notorious cell number 90. Cited by Amnesty International and International Prison Observatory (OIP), the prison has a grim reputation for the treatment which tough prisoners inflict on juveniles: torture, rape, humiliation, and tattooing of anyone considered as inferior. There are six beds for the 24 inmates who take turns sleeping.
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JUVENILES BEHIND BARS 1999-2007. Lebedeva Remand Center, Juvenile Block, Saint Petersburg, Russia.
The juveniles are locked up for 23 hours a day in medieval conditions, in the same cells as adults who impose a reign of terror. They have no proper supplies for food or hygiene, and no healthcare; aspirin is given to anyone suffering from TB or AIDS. Inmates are victims of rackets and violence, have no visits from relatives as they are a long way from home, and quite often are held for periods well above the normal sentence for their offences.
Cruel and Unusual
2012
Cruel and Unusual
Lizzie Sadin
CHILDREN BEHIND BARS 1999-2007
How a State treats its prisoners is a good indicator of the quality of its democracy. A society is judged as to how it treats its minors. Too often promiscuity, racketeering and violence reign in the prisons, detention centers and camps, designed specifically to house young children. Too often dignity is violated.Over the course of eight years and in eleven countries - in countries of conflict or peace; in countries with rule-of-law and in non-democratic countries - Sadin depicts the inequalities, injustices and humiliations often suffered by incarcerated children. "I was driven by the idea of providing the public with a view inside these detention centers and of conveying the views of the inmates to the outside world. I wanted to restore dignity to these young people, to break the silence surrounding them and, most importantly, to break their isolation. It is a story destined to bring them out of the shadows."
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CHILDREN BEHIND BARS 1999-2007. USA, Boot Camp California.
How a State treats its prisoners is a good indicator of the quality of its democracy. A society is judged as to how it treats its minors. Too often promiscuity, racketeering and violence reign in the prisons, detention centers and camps, designed specifically to house young children. Too often dignity is violated.Over the course of eight years and in eleven countries - in countries of conflict or peace; in countries with rule-of-law and in non-democratic countries - Sadin depicts the inequalities, injustices and humiliations often suffered by incarcerated children. "I was driven by the idea of providing the public with a view inside these detention centers and of conveying the views of the inmates to the outside world. I wanted to restore dignity to these young people, to break the silence surrounding them and, most importantly, to break their isolation. It is a story destined to bring them out of the shadows."
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CHILDREN BEHIND BARS 1999-2007
Video surveillance of solitary confinement cells where young inmates can be held for a week. They are placed there if they display aggressive behavior to either staff or inmates, and also if they attempt suicide.
Biography
Lizzie Sadin is a freelance, documentary photojournalist specializing in social and humanitarian issues and focusing on human rights.
Sadin has made photographic projects about children behind bars, domestic violence in France, women trafficking, sex-tourism, teenage mothers, early marriages, illegal immigration, and teenage obesity.
Over the years, Sadin has been a finalist for FotoEvidence Book Award, New York (2011); the Académie des Beaux Arts, Paris (2010); Carmignac Gestion photojournalism Award, Paris (2009); Finalist of Anthropographia Award, Montréal (2009); Eugène Smith Grant ,New York (2008) and the Care International Grand Prix (2005).
In 2007, she received the Visa d’Or at the Visa pour l'Image Perpignan. She was the recipient of the Top d’Or Shenyang (2008); Jury’s Special Award of Festival of Photojournalism, Angers (2007); and in 2010 she won the Pierre and Alexandra BOULAT Award, Paris.
Her work has widely exhibited internationally.
Sadin is co-creator of the Canon AFJ Award for female photographer, awarded at the photo journalism festival "Visa pour l'image". In 2006 and 2007, Lizzie has been curator and artistic director of the Photo Festival La Gacilly.