Overview participating exhibitions

Land
2010

Land

Robin Hammond

TOXIC JEANS (Lesotho, 2009)

When the big American clothing chain Gap decided to move the production of jeans and T-shirts to Lesotho, it meant a substantial economic boost for one of the poorest countries in the world. Today there are about fifty clothing factories active there, most owned by Taiwanese. But there were also negative effects, including the dumping of tons of contaminated waste in dangerous locations in populated areas. The dumps attract desperate people – including mothers and children – who hope to recover usable pieces of denim and plastic from among the waste. While searching through it they come into contact with dangerous chemicals, needles and razorblades. Furthermore, the dumps are regularly set on fire, releasing many unhealthy substances into the air. Despite the health com-plaints – such as breathing difficulties and skin conditions – the easy availability of scrap textiles means that people no longer cook over coal at home, but burn chemically treated cloth. Thus the economic lifebuoy which the clothing industry threw to Lesotho has at the same time proven to be a threat to public health.The process of manufacturing and dying jeans has led to a humanitarian and environmental catastrophe. Local water is turned blue from dyes, and offcuts, dumped and burnt, pollute the air. Maseru, Lesotho. July 2009.

  • TOXIC JEANS (Lesotho, 2009)

    When the big American clothing chain Gap decided to move the production of jeans and T-shirts to Lesotho, it meant a substantial economic boost for one of the poorest countries in the world. Today there are about fifty clothing factories active there, most owned by Taiwanese. But there were also negative effects, including the dumping of tons of contaminated waste in dangerous locations in populated areas. The dumps attract desperate people – including mothers and children – who hope to recover usable pieces of denim and plastic from among the waste. While searching through it they come into contact with dangerous chemicals, needles and razorblades. Furthermore, the dumps are regularly set on fire, releasing many unhealthy substances into the air. Despite the health com-plaints – such as breathing difficulties and skin conditions – the easy availability of scrap textiles means that people no longer cook over coal at home, but burn chemically treated cloth. Thus the economic lifebuoy which the clothing industry threw to Lesotho has at the same time proven to be a threat to public health.

    The process of manufacturing and dying jeans has led to a humanitarian and environmental catastrophe. Local water is turned blue from dyes, and offcuts, dumped and burnt, pollute the air. Maseru, Lesotho. July 2009.

  • TOXIC JEANS (Lesotho, 2009)

    The waste dumped includes harmful chemicals, needles and razors. Ha Tsosane Rubbish Dump, Maseru. Lesotho. July 2009.

  • TOXIC JEANS (Lesotho, 2009)

    Chemical waste thrown into dumps used by the garment industry poses a hazard to the hundreds of men, women, and young children who sift through rubbish looking for recyclable material. Maseru, Lesotho. July 2009.

  • TOXIC JEANS (Lesotho, 2009)

    The smoke from the smouldering waste reportedly causes respiratory illnesses and eyes to sting and tear. Ha Tsosane Rubbish Dump, Maseru. Lesotho. July 2009.

  • TOXIC JEANS (Lesotho, 2009)

Biography

Robin Hammond (New Zeeland, 1975) gained recognition with his work on human rights and ecological issues. He has twice been honoured with the Amnesty International Media Award and has received several awards during the International Photography Awards 2009, among them for a series on the consequences of climate change for the island of Tuvalu. Hammond's work has appeared in periodicals including The New York Times, Newsweek, The Guardian and Paris Match. He covers stories in over fifty countries, with South Africa as his home base.

Website Robin Hammond

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Land - Country Life in the Urban Age

Land - Country Life in the Urban Age

Price EUR 15,00